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dronemuzak:

"I am sitting in a room different from the one you are in now. I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech, with perhaps the exception of rhythm, is destroyed. What you will hear, then, are the natural resonant frequencies of the room articulated by speech. I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have."

(via subatomicammm)

alongtimealone:

Edouard Vuillard (French, 1868-1940), The Doors, 1894. Gouache on cardboard. National Gallery of Victoria, Melbourne.

alongtimealone:

Edouard Vuillard (French, 1868-1940), The Doors, 1894. Gouache on cardboard. National Gallery of Victoria, Melbourne.

(via hankeatspaint)

partifoul:

birchsoda:

nazmat:

hotanimebabe:

straight dudes 100 percent of their lives

I didn’t think people like this actually existed

Here we see the Greater Douchebag in one of their natural habitats. Like many poisonous animals, the bright colors are a warning to stay away.

the no homo sapiens

partifoul:

birchsoda:

nazmat:

hotanimebabe:

straight dudes 100 percent of their lives

I didn’t think people like this actually existed

Here we see the Greater Douchebag in one of their natural habitats. Like many poisonous animals, the bright colors are a warning to stay away.

the no homo sapiens

(Source: thepaulfamilydynasty, via handyburger)

liquorsexandtattoos-hiv-edition:

image

(via sued3head)